摘要
"狂"是中国古代文士的一种特殊的个性气质和文化精神,历代不乏以"狂"闻名的人物。杜甫虽自称"奉官守儒",又被树立为儒家文士典范,然细察其生平与创作,"诗圣"也有极为狂放的一面。杜甫之狂既不同于魏晋时期的阮籍、嵇康之狂,也不同于盛唐时代的"诗仙"李白之狂。杜甫的"狂"主要表现出对自我人生的自信,对道德理想和社会理想的执著追求,是一种积极进取的"入世之狂"。
＂Overbearing＂ is a special kind of individual character and cultural spirit of the ancient literary persons in China. In all the past dynasties, there was not a lack of such personages. Du Fu claimed to ＂present the officer with respect and keep Confucianism＂ and was established as the Confucianists＂ literary person＇s model, but when we scans his life and his literary works, ＂the Poetic Sage＂ has extremely unruly side too. Du Fffs overbearing was neither like that of Ruan Ji in the Jin Dynasty, nor was it like that of the ＂the Poetic God＂, Li Bai, in the flourishing period of the Tang Dynasty. Du Fffs ＂overbearing＂ shows that he was very confident of his own life and that he was persistently pursuing the ethical ideal and the social ideal. His overbearing was a realistic and proactive one.
出处
《福建教育学院学报》
2009年第2期85-88,共4页
Journal of Fujian Institute of Education
关键词
狂
杜甫
入世
overbearing
Du Fu
realistic
