摘要
影像艺术以有别于传统艺术的组织形式和体认方式,在表达生态危机和关切人类生存前景上有着不可比拟的优势。通过选取两部具有典型代表意义的电影:西方影片《后天》和中国影片《可可西里》,从生态主义的视角,就影片叙事策略方面的差异,考察当代电影中的生态意识,通过二者的对比分析,揭示中国电影存在着生态意识表现不足、生态主义批判力度羸弱的特点。
The image out compare advantages in art by its organized forms and realization methods which distinguished from traditional art, has the with expressing the ecology crisis and concerning the human existence foreground. In this paper, two typical movies are available, such as The day after tomorrow, KekeXiLi. From the angle of ecologicalism, this paper inspect the ecology consciousness of contemporary movies as to the difference on narrative tactics of movies, and through the contrast analysis of them, promulgates performance insufficiency of the Chinese movie existence ecology and emaciated characteristic of the eco- critics＇strength.
出处
《济宁学院学报》
2009年第2期47-49,共3页
Journal of Jining University
关键词
后天
可可西里
叙事策略
电影
生态意识
The day after tomorrow
Kekexili
narrative tactics
the movies
ecology consciousness
