摘要
尼采《悲剧的诞生》一书通过日神阿波罗和酒神狄奥尼索斯的象征探讨了艺术的起源、本质和功用以及人生的意义,申明了其"审美至上"的美学理想,肯定了真艺术的作用,并藉此希求通过复活真正的希腊艺术精神,高扬生命的价值,拯救颓废的灵魂,在反拨"理性至上"原则的基础上为我们把握真理提供了另外一种新鲜的向度,从而体现了一种终极的人文关怀。
Nietzsche＇s The Birth of Tragedy discusses the origin, nature and function of art as well as the meaning of life by adopting the symbols of Apollo and Dionysus. The book puts forward such an aesthetic thought as ＂Aesthetic First＂, affirms the effects of a true art. Furthermore, by writing the book, Nietzsche wishes to revive the true spirit of Greek art, highlight the value of life, rescue decadent souls, and provide another kind of new dimension for us to grasp the truth on the basis of refuting the principles of ＂rationality first＂. Thereby, this reflects a supreme humanistic care.
出处
《天水师范学院学报》
2009年第3期85-88,共4页
Journal of Tianshui Normal University
关键词
尼采
悲剧艺术
复归
拯救
人文关怀
Nietzsche
Tragic art
reversion
rescue
humanistic care
