摘要
《达·芬奇密码》在世界范围内的畅销因素之一在于小说所引发的文化论战:丹·布朗在小说中对基督教基本教义的公开挑衅和基督教各教派对其论说的奋起批判。本论文从神学的视角揭示所研究的文本与收集材料中存在的相互抵牾的典型悖论。《达·芬奇密码》是部精彩的小说,但如果认同小说中对基督教早期历史改写的可行性,则是忽略了小说与基本史实的区别。
One of the popular factors in the success of The Da Vinci Code is the cultural controvacies it brings about, namely Dan Brown＇ s defiance of the Canon of the Bible and accordingly the religious defenses from the sects of Christianity. In the theological perspective, this paper expounds the typical paradoxes among the novel and the related critical papers. Whilst The Da Vinci Code is a successful story, its descriptions of artwork, documents, and religious rituals are paradoxical with the statements of other scholars thus can not be taken for granted.
