摘要
通过不同时期的大江健三郎作品解读,浅析其文学创作过程中存在主义的呈现是有变化与递进的,而不是对西方存在主义的生搬硬套,从而得出大江作品中的存在主义是东方的、日本的、政治的,个人的杂糅体现。
This paper, through the interpretation of Kendzaburo Oa＇s writings in different times, illustrates the changing and progressive appearance of existentialism in his literature creating process, which is oriental, belonging to Japan, political and a personal intermixed experience, not a rote of western existentialism.
出处
《南京工业职业技术学院学报》
2009年第1期32-34,共3页
Journal of Nanjing Institute of Industry Technology
关键词
存在主义
性政治
个人体验
Kendzaburo Oa
sex politics
individual experience
