摘要
《郑风·褰裳》中"狂童"之所指,主要有郑厉公"突"与"淫女戏谑其所私者"两种说法。实际上,春秋时期还没有后世那种君主集权的大一统思想,以上两说都囿于后世的尊君思想而未能得出正确结论。当时国人参政议政,大胆地批评当政者甚至国君之事颇为常见。根据春秋史事,"狂童"应当为郑昭公忽,此诗虽然看似民间情歌,但却不可简单地理解为男女私情之作。所谓的"淫诗"事实上往往与政治之间有着密切的联系,人们或引用以影射政治,又或托男女之辞以言君臣之事。《褰裳》诗正是国人利用郑国当地通俗的歌谣形式来讽喻当政者,表达自己政治观点的佳作。
There are two mainly kinds of views about the indication of ＂Kaungtong＂ in Zheng feng Qian shang. One is ＂zhengligong Tu＂ , the other is ＂the intimate address to lovers＂. In fact, the Unification thought of monarchy centralization still has not prevailing in the Spring and Autumn Dynasty, but it has a deep influence on the later feudal society in China. The two ideas are constrained by the later thought of respecting emperor and so they had not been able to draw the correct conclusion. In the Spring and Autumn period, the subjects participated and discussed in government affairs. It was common that people criticized boldly the rulers. According to the Spring and autumn history, ＂the Kaungtong＂ means the emperor Zheng zhaogong ＂hu＂, the poem, resembles the folk song but is not simply understood for the male and female love relationship. Socalled ＂the obscene poem＂ has usually the close relationship with the politics, the people either use the quotation to insinuate politics, also or reflect the matters about the monarch and ministers by the love affairs. Lifts up Clothes is a classic that the subjects allegory the power and express their own political ideas by the local ballad.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2009年第3期52-55,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
“淫诗”
尊君
《褰裳》
“狂童”
郑昭公
＂the obscene poem＂
thought of respecting emperor
Qian shang
＂Kuangtong＂
Zheng zhaogong
