摘要
李欧梵先生挖掘中国文学现代性的颓废面向意义重大,但他认为此种现代性的被压抑源于西方启蒙思想的影响,进而提出西方启蒙思想对中国影响最大的是时间观念的论断,这是值得商榷的。启蒙思想对中国时间观念的影响,并非如李先生所言如此巨大。从中国现代性的发生,利玛窦的地图开始部分瓦解中国天朝中心观念,到中国文学世界由于发现另一空间,由之更重视自身的空间体验,都可看出对现代性的空间的重视。
The decadence that Mr. Li Oufan explored in the modernity of the Chinese literature is significant. But he argues that the suppression of the modernity herein discussed is derived from the influence of the Western Enlightenment thoughts,thus putting forward the proposition that the biggest influence that the Western Enlightenment thoughts exerted upon China is the conception of time. This statement is,however,suspicious. The influence from the Western Enlightenment upon the concept of time in China is not as enormous as Mr. Li suggested. From the rise of the Chinese modernity when the map drawn by Matteo Ricci began to disintegrate the sense with China as the center of the world,to the time when the Chinese literary world discovered another spatial world,thus evaluating more the spatial world of one’s own,it can be seen that emphasis had been placed on the space of the modernity.
出处
《汕头大学学报（人文社会科学版）》
CSSCI
2009年第2期5-10,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
中国文学
现代性
利玛窦的地图
两歧性
地域性
空间性
Chinese literature
modernity
the map of Matteo Ricci
ambiguity
regionality
spatiality
