摘要
明中期复古思潮对文坛的影响极为深刻,当时曲家的戏曲创作多与这种思潮有密切联系。复古思潮促使了曲家主体精神的复苏,引导了他们在戏曲创作中重视性情的表达和反映现实生活。在以复古求创新思想的引导下,曲家扩大戏曲主题范围,革新戏曲体制,促使南杂剧的出现以及传奇的定型,并使戏曲语言风格呈现出文采化的特点。
The thought trend of “Returning to the Ancients” in the middle period of the Ming Dynasty had affected opera creation greatly. Most opera writers at that time had close connections with it. It resumed subject spirits of opera writers, and stimulated in writing the expression of temperaments as well as the concern with the reality. Under the guidance of innovating by returning to the ancients, opera writers extended traditional opera subjects, reformed traditional opera systems, pushed the appearance of the Southern Za Opera and traditional operas to having shaped the pattern of Chuanqi. As a result, it led the language style of the characteristic of elegance.
出处
《西南交通大学学报（社会科学版）》
2009年第2期74-78,共5页
Journal of Southwest Jiaotong University(Social Sciences)
关键词
明中期
复古思潮
曲家
南杂剧
主体精神
复古派
文采化
the middle period of the Ming Dynasty
the thought trend of “Returning to theAncients”
opera writers
the Southern Za Opera
subject spirits
the school advocating returning to theAncients
elegant language
