摘要
陀思妥耶夫斯基于自然派形成和发展时期走上文坛，创作明显受到自然派影响，但他努力寻求新路径，思想意识上表现出尼采哲学、存在主义等现代主义征兆，几乎是“前现代主义”，艺术方法上表现出心理现实主义、立体化结构、作家退出作品等现代主义模式。他扎根现实主义，却跨入现代主义门坎。
As he came into the literarure world at a time when naturalism took shape and began to develop, Dostoevsky,s work was obviously affected by naturalism. But he strove to seek new ways, showing in his ideology signs of modernism, such as Nietzsche′s philosophy and existantialism, which was as good as “premodernism”. And in his artistic method he displayed such modernist patterns as psychorealism, threedimensional structure and the withdrawal of the author from his work. He took root in realism, but stepped over the threshhold of modernism:he was the lead of modernism.
出处
《内蒙古师范大学学报（哲学社会科学版）》
1997年第5期60-66,共7页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
