摘要
从各种版本的科尔沁“情歌”看 ,美学力量主要来自其悲剧意蕴。与其他色彩区的蒙古族情歌相比 ,科尔沁悲剧性“情歌”呈现出更为深刻的社会文化根源、民族心理根源和现实批判意义 ,并由此搭建起了民族文化和民族心理反思的平台。
Viewing the Horchin “Love Songs' in various editions, we see that their aesthetics are mainly from their tragic implication. Comparing to the Mongolian love songs of the other areas, Horchin tragic “Love Songs' reflect more profound social and cultural roots, source of national mentality and the meaning of critic realism and thus they build up a plat for the counter-thinking of the national culture and national mentality.
出处
《内蒙古大学艺术学院学报》
2004年第1期66-71,共6页
Journal of Art College of Inner Mongolia University
关键词
科尔沁情歌
悲剧性
二律背反
深层诉求
Horchin love songs
tragic
antinomy
deep-seated appealing
