摘要
钱钟书先生《管锥编》中关于诗乐关系的论述在具体阐述诗乐关系、对诗乐关系进行总结的同时也给了我们对于文学创作本身的思考。诗乐关系,与作家的作品风格及其各类作品之间相互制约的关系其实是相类似的。一个作家所创作的作品总是会有一个总体的风格,即钱钟书先生在诗乐关系中所阐述的乐。作家的风格总是会伴随他的全部作品。本文就从这个理论出发,具体阐述李商隐诗歌的总体特点及其咏史诗特点,并借此进一步验证钱钟书先生之观点。
The relationship between poem and music and its summary discussed in Guan Zhui Bian by Mr. Qian Zhongshu gave us the thought on in on literay creation itself. The relationship between poem and music is similar to the works＇ style by a writer and to the interaction among all kinds of his works. The works by a writer always has an overall style, that is the music in the relationship between poem and music by Mr. Qian Zhongshu. Writer＇ s style will always be accompanied by all his works. The overall characteristics of Li Shangyin＇ s poems and the characteristics of his poems on ode to history was discussed and the views of Mr. Qian Zhongshu was confirmed further in this paper on the basis of this theory in details.
出处
《内蒙古民族大学学报（社会科学版）》
2009年第1期52-53,共2页
Journal of Inner Mongolia Minzu University：Social Sciences
关键词
钱钟书
管锥编
诗乐关系
李商隐
诗歌风格
咏史诗
Qian Zhongshu
Guan Zhui Bian
the relationship between poem and music
Li Shangyin poetry style
poems on ode to history
