摘要
在传统艺术中"气韵"是中国古典艺术的精神内涵。倘若说,在中国古典艺术中的"气"还停留在一种内在的审美阶段,包括自然美和社会美的成分,那么,"韵"则是一种将其以某些程式套子加以外化的过程而达到艺术美,古人说"尽善尽美",此中受制于中国传统审美心理的"气"与由之派生的具有中国气派的"韵"就自然、完美地结合在一起了。
＂Qi＂ and ＂rhythm＂ （Yun） guides us to the real Chinese classical artistic spirit in art creation field. If saying ＂Qi＂ （includes natural beauty and social beauty） still stays in a phase of inherent beauty, then, ＂rhythm＂ is an artistic esthetics resulted from the process of inherent through external. Ancients says ＂being perfect＂-＂Qi＂ which sourced from Chinese traditional esthetics and its derivative ＂rhythm＂ to get united perfectly.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2009年第4期58-59,45,共3页
China Ceramics
关键词
“气韵”
现代陶艺
当代艺术精神
＂Qi＂ and ＂Rhythm＂ （Yun）, Contemporary Ceramics, Spirit of Contemporary Art
