摘要
清代是泉州南音人创造南音记谱法体系的辉煌时期,大量刊抄本记载了南音诸多谱式。作者经考察和研究,对清代南音主要流传的几种谱式进行分类剖析,梳理并归纳出文焕堂谱式、半口传谱式、泉南通谱式、其它谱式及各自的特点。清代南音带谱字的谱式虽有多种,其记谱法却完全统一在工ㄨ谱一种体系里。
The Qing Dynasty is the great age for Nanyin musicians of Quanzhou to create Nanyin notation system. A large number of printed and hand-copied materials record many Nanyin notation styles. On the basis of investigation and research, the author makes classification and analysis of the main spread notation styles of Nanyin, and sums up Wenhuan Tang notation style, Semi-orally instructed notation style, Quannantong notation style and some others as well as their respective features. Although Nanyin notation styles of the Qing Dynasty take various patterns, all of them are subordinated to the system of Gongche notation.
出处
《乐府新声（沈阳音乐学院学报）》
2009年第1期47-50,共4页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
清代南音
谱式肘旨谱
大谱
草曲
Nanyin of the Qing Dynasty notation style fingering notation da pu（a qinnotation style） cao qu （a qin notation style）
