摘要
神话英雄史诗《江格尔》展示着蒙古民族的审美理想和个体生存状态。史诗的既成审美对象是以一种感性直观的方式呈现在我们面前的美学观念,这种原初的美学观带有明显的神话思维特征。《江格尔》具有东方审美观的特质。东方审美"同情观"的哲学认识论基础是原始宗教的"万物有灵观"。史诗《江格尔》原始审美表征表现为:萨满思维、生命为美、物我同一等。
Epic Jianggar be showing Mongolia nation appreciation of the beauty ideal and individual survival state. The accomplished epic appreciation of the beauty marriage partner is a kind of aesthetics concept that appear before us use perceptual , penetrating way. This original plain aesthetics watches with obvious myth thought characteristic. Jianggar have the particularity that east appreciation of the beauty observes. That the sympathy ＇in east appreciation of the beauty observes knows basis is that the primitive religion All things on earth has a bier＇. Primitive appreciation of the beauty superficial characteristics shows epic Jianggar being： Saman thought , life are beautiful , I wait for a thing same.
出处
《广播电视大学学报（哲学社会科学版）》
2009年第1期92-96,102,共6页
Journal of Radio & TV University(Philosophy & Social Sciences)
关键词
《江格尔》
史诗
审美
原始思维
Jianggar
Epic
Appreciation of the beauty
Primitive thought
