摘要
思想解放是新时期三十年中国戏剧发展的主要动力。三十年来,中国戏剧重新发现了它自己的传统,历史题材剧目以及传统戏再次成为舞台上的主角;以"先锋戏剧"为名的种种新颖独特的舞台表现手法大量涌现,尤其是戏剧舞台空间呈现出回归东方美学主流的重大改变;城乡各地民营剧团与民间戏剧的发展,成为三十年来戏剧界最活跃的新生力量。
The emancipation of minds is the main driving force of the development of Chinese drama for 30 years in the new era. Chinese drama re - discovered its traditions. Repertoire of historical themes and traditional opera is frequently performed on stage again. Many new unique theatrics named ＂vanguard drama＂ have emerged, especially the change of dramatic stagecraft as returning to the mainstream of Oriental aesthetics. Urban and suburb private drama troupes and folk dramas develop fast, becoming the most active in the theatre circle for 30 years.
出处
《浙江艺术职业学院学报》
CSSCI
2008年第4期1-7,共7页
Journal of Zhejiang Vocational Academy of Art
关键词
当代戏剧
改革开放
戏剧传统
民营剧团
contemporary drama
reform and opening up
theatrical tradition
private troupes
