摘要
在中国的龙文化研究中,金代的龙纹形象一直包含在宋代龙纹的研究范畴中,宋代又是中国龙形象的定型时期,近年来连续发现的金代铜坐龙,对于中国龙文化的研究是非常重要的。本文将唐、宋、辽、金代出土的坐龙的形态特征、出土地点、时代背景作以对比研究,得出金代铜坐龙是渊源于辽代的坐龙、受宋代坐龙影响的、包含了女真族民族文化心理的一种龙的形象,并探索出其发展演变规律及具有守护功用的价值。
It is very important for us to study the seated dragon of Jin Dynasty, as the dragon decoration of Jin Dynasty research is included in that of Song Dynasty, and the dragon decoration was formed in Song Dynasty. Comparing those forms, date and unearthed spots of the seated dragons dated to Tang, Song, Liao and Jin Dynasties, we think that the seated dragon of Jin Dynasty was influenced by that of Liao and Song Dynasties, it has its own cultural feature of Nuzhen Nation and played a guarding role.
出处
《北方文物》
北大核心
2009年第1期44-49,共6页
Northern Cultural Relics
