摘要
仰韶文化的"人面鱼纹",代表着一种生死轮回观念;鱼作为生死轮回的媒介,引导灵魂重生;上古传说中颛顼、后稷化身为鱼,死而复生的故事,为鱼作为生死轮回的媒介的观点提供了文献资料的支持。
The fish pattern with human face of Yangshao culture represents an idea of cycle of life and death. As the media of the cycle, fish makes the soul reborn. A legent about Zhunxu and Houji in the shape of a fish back from the dead provides historial material for the idea.
出处
《中原文物》
北大核心
2009年第1期25-27,共3页
Cultural Relics of Central China
关键词
人面鱼纹
仰韶文化
生死轮回
The fish pattern with human face
Yangshao culture
cycle of life and death
