摘要
藏传佛教造像艺术在经历了1300余年的发展过程中,形成了自己的佛教造像艺术体系及文化特点。依据这一特点探析藏传佛教造像艺术的结构体系和题材类型,其题材分类为绘画类、雕塑类和雕刻类三大类,其中每个大类中还可进行类型分类,每个类型又可划分出其组成结构体系。题材类型主要分为非情节性和情节性两大类。这些造像艺术以印藏文化的源头和佛教显密经论的基本思想为依据,呈现出藏传佛教特色鲜明的文化风貌。
In the long course of over 1, 300 years developing, the art of Tibetan Buddhism statue has formed its own art system and characteristics of Buddhism statue. This character could be divided into two types： structural system and topic system. Among them, topic system contains the categories of drawing, sculpture and enchasing. Each of them could also be divided into sub-categories and each sub-category could be analyzed by struetural system. Also, topic system could be divided into the one with story and the one without story. The Indian- Tibetan culture was the origin of the statue art and the thought of Buddhism sutra and tantra was its basic gist. Thus a vivid Tibetan Buddhism characteristics was expressed.
出处
《中央民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第1期126-134,共9页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
关键词
藏传佛教
佛教造像
造像艺术
Tibetan Buddhism
Buddhism statue
art of statue
