摘要
《俄狄浦斯王》和《红楼梦》两大悲剧跨越时空却拥有近乎雷同的整体魔幻隐喻叙事结构,三层象征隐喻诗意结构负载三种功能和三重意蕴,以此传达了近似的生命悖谬意识和宿命观。在表现悲剧精神这个巅峰意义上,《俄狄浦斯王》、《红楼梦》实践着相似的悲剧审美诗学,彰显了中西文化的融合和终极认同。
The two great tragedies King Oedipus and Dreams in the Red Mansions were separated by a wide gap of space and time, but nearly shared the magical-metaphor structure of narration, a triple symbolic-metaphor poetic structure carrying three functions and implications to express a consciousness of approximate life paradox and view of fate. In order to represent the spirit of tragedy, the supreme meaning of tragedy, King Oedipus and Dreams in the ,Red Mansions brought into practice aesthetic poetics of tragedy and projected a merge of Chinese and Western culture and similarity in essence.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第1期82-87,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
《俄狄浦斯王》
《红楼梦》
结构诗学
生命哲学
King Oedipus
Dreams in the Red Mansions
structural poetics
life philosophy
