摘要
本文试图运用伽达默尔的哲学解释学理论来探讨剧本《法国中尉的女人》的编剧技巧和风格,揭示出品特在阅读原小说到哲学解释的过程中,扩展了自身的"视域"和原小说的"视域",以独特的艺术风格使原小说的生命通过电影的形式得到了延伸和丰富。
This paper analyzes the art and style of Harold Pinter＇s screenplay The French Lieutenant＇s Woman based on the theory of Gadamer＇s philosophic hermeneutics. It discusses how Pinter broadens the ＂horizon＂ of himself and the original novel in his interpretation. The form of the movie enriches and develops the original novel with the ＂pinterseque＂ style.
出处
《南京理工大学学报（社会科学版）》
2008年第6期27-30,共4页
Journal of Nanjing University of Science and Technology：Social Sciences
