摘要
京剧唱腔与美声唱法无论在声音的运用、呼吸的支持、共鸣的搭配上都具有许多共性,但又各具特色。京剧唱腔多依据不同的角色、不同的行当,选择不同的声区、共鸣等,强调人物的个性化。美声唱法则追求声音的上下连贯与统一,追求共鸣腔体的整体运用与比例搭配。
Music for voices in the Beijing opera and Bel Canto share much commonness in voice utilization, respiratory support and resonant arrangement. Yet, both demonstrate their own distinctive artistic specialties. As a rule,in music for voices in the Beijing opera, the individuality of characters is highly prominent because a certain voice system such as the specific vocal zone and resonance is collocated with a certain role, that is, different roles will adopt different voicing collocation, while Bel Canto pursues the continuity and unity of voice and the integral utilization and the proportional arrangement of resonant cavity.
出处
《广州大学学报（社会科学版）》
2008年第11期71-74,共4页
Journal of Guangzhou University:Social Science Edition
关键词
京剧
关声
声音
呼吸
共呜
Beijinging Opera
Bel Canto
voice
respiration
resonance
