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中国电影与跨国电影研究 被引量:3

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出处 《文艺理论研究》 CSSCI 北大核心 2008年第6期15-22,共8页 Theoretical Studies in Literature and Art
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  • 1Susan Hayward, French National Cinema ,London: Routledge, 1993, xi, p.7,p. 14,p. 16. 被引量:1
  • 2Gerald Mast, A Short History of the Movies, 2nd edition,Indianapolis, IN: Bobbs-Merrill, 1976, p.2. 被引量:1
  • 3Andrew Higson, Waving the Flag: Constructing a National Cinema in Britain , Oxford: Oxford University Press, 1995, p.22,pp.273 - 274. 被引量:1
  • 4Stephen Crofts, "Reconeeptualizing National Cinema/s," Quarterly Review of Film and Video 14.3 ( 1993 ) : p. 62 . 被引量:1
  • 5Stephen Crofts, "Concepts of National Cinema," in The Oxford Guide to Film Studies, eds. John Hill and Pamela Church Gibson,Oxford: Oxford University Press, 1998, p.42. 被引量:1
  • 6Tom O'Regan, Australian National Cinema ,London: Routledge, 1996, p. 3. 被引量:1
  • 7Crofts, "Reconceptualizing National Cinema/s" . Crofts, "Concepts of National Cinema." 被引量:1
  • 8Crofts, "Concepts of National Cinema, "p. 386, p. 36. 被引量:1
  • 9O' Regan, Australian National Cinema, p. 71, p. 5, p. 2. 被引量:1
  • 10Steve Mclntyre, “National Film Cultures: Politics and Peripheries,” Screen 26.1 (1985) : p. 67. 被引量:1

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