摘要
《李有才板话》和《灵泉洞》两部长篇小说,呈现出公共空间对私人空间的挤压和公共空间中心的闭合性;私人空间被呈现为公共空间,公共空间对私人则采取强烈的拒绝姿态,这种空间修辞策略充分彰显出赵树理小说对时代意识形态的特殊象征意义,在一定程度上也显示出被称之为"问题小说"的赵树理创作的另一维度的追求。作为知识分子的赵树理本人对时代意识形态的反思均较为集中地在这种空间修辞中得到体现。
Zhao Shuli＇s two long novels Li Youcai Tales and Lingquan Cave indicated the squeeze of public space to private space and the closure of the center of public space. The private space was viewed as public space, which assumed a strong attitude of declination to the private. This strategy of spatial rhetoric expressed fully the symbolic meaning of Zhao Shuli~ Novels in terms of contemporary ideology. It also indicated the pursuit of another dimension in Zhao Shuli＇s so- called ＂problematic novels＂ . Zhao Shuli＇s reflection of the contemporary ideology is also displayed in the spatial rhetoric.
出处
《山西师大学报（社会科学版）》
CSSCI
北大核心
2008年第6期78-82,共5页
Journal of Shanxi Normal University(Social Science Edition)
