摘要
文章分析了《且听风吟》中对"语言"的质疑,以及"语言"在文学创作中的含义。在此基础上指出,村上春树的创作理念不同于日本传统文学,体现出一种真正的后现代主义文学性质。而处女作《且听风吟》正是在打破传统小说内部系统的前提下,对小说的外部形式进行的第一次变革。
This paper analyzes the question of ＂language＂ posed by Hear the Wind Sing and the connotation of ＂language＂ in literature. The author argues that Haruki Murakami＇s conception of writing deviates from the traditional Japanese literature, representing true post-modernism in literature. His maiden work Hear the Wind Sing marks his first attempt to transform a novel＇s outer form on the basis of breaking away from the inner structure of traditional novels.
出处
《解放军外国语学院学报》
CSSCI
北大核心
2008年第6期94-98,共5页
Journal of PLA University of Foreign Languages
关键词
村上春树
且听风吟
语言
文体变革
Haruki Murakami
Hear the Wind Sing
language
transformation of style
