摘要
当莎士比亚戏剧进入中国读者和观众的阅读和接受视野时,它的文本尤其是其戏剧主题意义的生成受到中国传统文化棱镜的整合。《雅典的泰门》中"背叛"和"诱惑"的母体主题反衬了儒家"信"的理念,《威尼斯商人》中基督教"爱"与"仁慈"的主题部分地体现出儒家"仁"的精神,而《皆大欢喜》中"宽恕"的伦理主题则体现出道家在自然中和儒家在音乐中实现"和谐"的理念。这种部分契合的原因在于代表中西传统文化灵魂的《圣经》和儒、道学说关注人伦、自然的内在共性。
When Shakespeare＇s plays come into the horizon of Chinese readers and audiences, their tex-tual significance can not escape reconfignration through the lens of Chinese culture. In Timon of Athens, the motifs of “betrayal” and “temptation” reflect “trustworthiness” in Confucianism; in the Merchant of Venice,the Christian doctrines of “love” and “mercy” are rough equivalents of “benevolence” in Confucianism; in As You Like It, the ethical theme of “forgiveness” corresponds to the concept of “harmony”, an ideal relationship between man and nature in Taoism and the ultimate aim of music in Confucianism. The convergence of ideas stems from the inherent unity of Confucianism and Taoism in Chinese philosophy with the Bible in the western countries.
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第5期101-105,共5页
Journal of Anhui University(Philosophy and Social Sciences Edition)
基金
安徽省高校青年教师科研项目(2007jqw005)
合肥工业大学科研项目(061710F)
关键词
莎士比亚戏剧主题
信
仁
和谐
Shakespearian themes
trustworthiness
benevolence
harmony
