摘要
当代传媒的发展,直接促使和推动了少数民族音乐的传承和传播,极大地改变了以往"口传心授"的传承模式,使少数民族音乐逐渐在向社会化、大众化的现代传播模式转化。然而,当代传媒在传播的空间、时间、速度上为少数民族音乐的传播带来了新的变革,也为其生存和发展带来了新的机遇;同时为少数民族音乐的传播和发展带来新的思考和提供了一系列新的课题。本文分三部分:一、口传模式、二、当代遇境、三、整合发展,分别论述了少数民族音乐的传承模式的形式、特征;以及在当代的遇境,并提出重新解构的发展看法。传播是一种保护,也是一种弘扬,少数民族音乐的传播和发展,不仅需要国家文化政策、法规的倾斜,学者的社会责任感及观念的更新,更重要的是在传播方式上要善于利用现代传媒进行多层次多角度的综合传播,才能给少数民族音乐的发展带来新的活力。
Contemporary development of the media, to direct and promote the heritage of ethnic minorities and dissemination of music has greatly changed in the past, ＂word of mouth Heart award,＂ the pattern of transmission so that the music of ethnic minorities in the society gradually, the popular mode of transformation of modem media. However, the contemporary media in the dissemination of space, time and speed for the spread of ethnic minority music has brought new changes, but also for its survival and development of new opportunities; at the same time as the music of ethnic minorities and the spread of development The new thinking and provided a series of new issues. This article is divided into three parts： First, word of mouth model, the contemporary throughout the event, three, integrated development, respectively, on the music of minority heritage in the form of models, Characteristics; as well as in the case of the Contemporary Landscape, deconstruction and re-development views. Spread is a protection, is also a carry forward, the music of ethnic minorities and the spread of development, not only the national cultural policy, laws and regulations of the tilt, academics and social responsibility to update the concept and, more importandy, the spread in the way we should be good at taking advantage of modem Multi-level and multi-media point of view of integrated communication, the music of ethnic minorities in order to bring new energy development.
出处
《贵州民族研究》
CSSCI
北大核心
2008年第5期50-55,共6页
Guizhou Ethnic Studies
关键词
少数民族音乐
解构
整合
发展
Minority music, deconstruction, integration, development
