摘要
傩堂戏的得名与其在"堂"中表演有关,而其形成一直是个迷。本文通过对历史文献的爬梳,发现古代堂赠与大傩这两种不同的祭祀礼仪,由于举行的时间、内容等存在诸多相似之处,以致在唐以后合流,发展出不同于沿门逐疫的另外一种拥有固定场所的驱傩方式,并成为傩堂戏的滥觞。
The drama of Nuotang is staging in the holl of temple, and it is so mysterious. Using data of literature, I am going to discuss the reason that why this drama coming out. I want to show that the two ceremony are similar to each other so they inosculate to one that has the changeless theater which is different to exorcise from door to door, and become the headstream of the drama of Nnuotang.
出处
《中山大学研究生学刊（社会科学版）》
2008年第3期9-18,共10页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
堂赠
大傩
合流
傩堂戏
Tangzeng
Danuo
confluence
the drama of Nuotang
