6Susan Hayward,Key Concepts in Cinema Studies,London: Routledge, 1996, p 199-202. 被引量:1
7Chietine Gledhill(ed),Home is Where the Heart Is:Studies in Melodrama and the Woman's Film,London:BFI,1987. 被引量:1
8Stephen Teo, Chinese Melodrama:The Wen Yi Genre,in Linda Badley,Traditions in World Cinema,Edinburgh University Press,2006,p203. 被引量:1
9Graham Murdock,Back To Work:Cultureal Labor in Altered Times,in Andrew Beck, Cultural Work: Understanding the Cultureal Industries, London: Routledge, 2003, p23-24. 被引量:1