摘要
在《北京人》的创作中,曹禺成功地借鉴了契诃夫戏剧创作的经验。主要表现在:一、不再用奇特的事件去写悲剧,而采用现实生活中发生的事情写了一部讽刺喜剧。二、成功地塑造了几个本性善良却不能适应生活的喜剧人物。三、人物之间的外部冲突明显减缓,人物内心的冲突得到强化,内在戏剧性有所突出。在借鉴外来经验的同时,仍保留了自己的创作风格和民族特色。
In his work ＂Beijing Man＂, CAO Yu successfully borrowed the creation experience from Checkov＇s dramas. The indi- cations are： 1 ） He no longer wrote tragedies with fancy incidents, while writing a satirical comedy with things drawn from real life; 2） He successfully created several comic figures who are good-natured but are not adapted to life. 3 ） The external conflicts between figures are dramatically reduced, and the mental conflicts of a figure are intensified, as a result, this work becomes more dramatic. When borrowing experience from others, CAO Yu still remained his style of creation and his traits as Chinese.
出处
《山西大同大学学报（社会科学版）》
2008年第4期73-76,共4页
Journal of Shanxi Datong University(Social Science Edition)
