摘要
族群是指一国之内的具有相同的语言或谈论、行为举止的以文化情感为枢纽的群体,族群文化中的美术不但体现了族群文化的相同性,而且在审美趣向方面也趋同一致,同时也显示了地域性的特征。它们并非主流而处于边缘状态。由于主流美术的强势话语,族群美术处于被主流美术或同化、或改变自身特质,甚至濒临绝灭的危险境地。中西比较美术学的一个基本话语就是在研究、阐发、解读不同文化圈的美术时,要求有一个平等的对话机制和平台。基于此,应力图公正地对待和尊重族群美术,全面、深入、准确地了解族群美术,使族群美术在多元化的语境中发展自己。
Ethnic groups refer to the groups of people connected by cultural and emotional links,speaking the same language with similar talking and behavior.The fine arts in the group not only reflects the similarity of the group culture,but also the conformity of the aesthetic tastes as well as the regional characteristics.They exist not in the main stream but in the margin,even at the verge of extinction.One of the basic view of the Comparative Fine Arts between China and West is to research,explain and decode different cultures and to demand a mechanism and a platform of dialogue.Based on that,it strives to equally treat and respect the ethnic group fine arts,understand their fine arts deeply,comprehensively and correctly,so as to enable them to develop themselves in the multiplication background.
出处
《艺术探索》
2008年第5期38-41,共4页
Arts Exploration
基金
教育部人文社会科学"中西比较美术学"规划基金项目(07JA760009)的阶段成果。
关键词
族群美术
族群
文化认同
ethnic group fine arts,ethnic group,culture identification
