摘要
日本著名导演今村昌平的电影创作中,女性是他关注的重点之一。他的代表作木《酋山节考》(1983)、《鳗鱼》(1997)和《赤桥下的暖流》(2001)等,通过蛇、鳗鱼等动物形象构建出今村昌平特有的映射系统,体现了日本女性人格中美好、坚韧和质朴的品质,也反映出日本民族的品性以及人性的复杂,为我们审视日本民族和人性本身提供了一个独特的视角。
In the films of Imamura Shohei, the female topic has been one of his major concerns. In Imamura Shohei＇s three representative works, namely, The Ballad of Narayama （1983）, Eel （1997） and Warm Water under the Red Bridge （2001）, Imamura Shohei chose snakes, eels and other animals to build his own image alluding system, whieh reflect the personality, tenacity, and the rustic quality of Japanese women and allude to the features and complexity of Japanese. His films offer a unique perspective for us to review the Japanese nation and humanity.
出处
《南通大学学报（社会科学版）》
2008年第5期72-75,共4页
Journal of Nantong University:Social Sciences Edition
关键词
今村昌平
日本女性
动物性隐喻
Imamura Shohei
Japanese women
animal metaphors
