摘要
"自然"是中国古代文论的重要范畴,以"自然"论文学,汉朝《淮南子》即有记载,自西晋以来.以"自然"论文艺已成为较为普遍的现象,但直到魏晋六朝刘勰《文心雕龙》的出现才有了真正意义上的"自然"论文学观。刘勰以"自然之道"作为文学创作的根本原则,从哲学本体论高度论证"文"之产生与存在的必然性、"文"与"质"的本质统一关系,并在此基础上进一步探讨了文学发生上的"自然感吟",文章风格上的"自然之势".文学创作上的"率直委和"、自然"情会"等一系列重要问题,建立了体系化、系统化的"文道自然"观。
＂Nature＂ is the important domain in ancient Chinese literary criticism. The method using ＂nature＂ to study literature had been recorded in Huainanzi of Han Dynasty. Since the Western Jin Dynasty, to discuss the literature and art by ＂nature＂ has become popular, but the real view of using the nature to study literature didn＇t appear until the appearance of Liu Xie＇s The Literary Mind and the Carving of Dragons. Liu Xie takes the ＂Tao of nature＂ as the basic principle of literary creation, and discusses the necessity of the birth and existence of work and the unification of ＂work＂ and ＂essence＂ based on the philosophical ontology; furthermore, he studies the birth of literary work by natural sense and inspiration, the natural writing style, the literary creation from frank and the natural thoughts and emotions, and he has established the systematical thought of that the Tao of literature is the nature.
出处
《重庆邮电大学学报（社会科学版）》
2008年第5期72-76,共5页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
刘勰
《文心雕龙》
文道自然
Liu Xie
The Literary Mind and the Carving of Dragons
Tao of literature is the nature
