摘要
《文心雕龙》这个书名,既概括了该书的主要内容,又揭示了该书形式上的特点,总起来说就是,以雕刻龙纹般的华丽的文采和精致的结构去阐述有关文学的理论问题。《文心雕龙》的结构可分为总论、文体论、创作论、批评论四个部分。论者根据自己的理解,对今本《文心雕龙》的某些篇章次第与原貌是否相同以及这些篇章的原来位次应在何处产生了歧义,其中分歧较大的有《物色》、《总术》等篇。但因为缺乏版本依据,迄无定论。纪昀对于《隐秀》篇补文真伪的考证奠定了基调,其为明人伪撰基本上为学界所接受。
The title of Carving Dragon with Literary Mind both summarized the book＇s main content and revealed this book＇s textual structures, that is to say, it attempts to deal with literary theories with meticulous dragon-carving craftsmanship： fine outward linguistic dexterity and inward subtle artistic tastes. The thematic structure can be divided into four parts ranging from the general remarks to literary genres, the creation, and literary appreciation. By my own understanding, doubts and arguments exist regarding whether certain chapter orders of this modern version are the same as the original sequence and where those doubted chapters should be in the original version, especially concerning the chapters such as The Forms of the Natural World, and A Summary of the Art of Writing. But due to lacking in the proofs of versions and editions, up to now no definite conclusion has been reached. The research conducted by Ji Yun on the authenticity of supplementary articles of Chapter Concealed and Evident Excellence established the basic tone, which is a counterfeit writing authored by the scholars in the Ming Dynasty is basically accepted by the academic world.
出处
《南京农业大学学报（社会科学版）》
CSSCI
2008年第3期124-128,共5页
Journal of Nanjing Agricultural University(Social Sciences Edition)
关键词
文心雕龙
编辑史
文献传播
Carving Dragon with Literary Mind
Editorial History
Document Dissemination
