摘要
运用社会分析和比较方法,对晚清到"五四"时期文学观的衍变进行了勾勒,试图梳理这两个历史阶段文学观之间的渊源关系,凸显它们的不同特点、优长与局限,并为建构一种较为完善的文学观提供借鉴。晚清梁启超的启蒙功利文学观和王国维的超功利人本文学观分别开启了"五四"时期"为人生"和"为艺术"两种文学观,但这种影响却是曲折的、复杂的。"五四"时期这两种文学观缺乏晚清两大文学观的纯粹性,它们各自都具有多种文学观交相为用、看似分裂实则互补的特点,因而共同地呈现出驳杂的风格。
The Literary outlook of enlightening utilitarianism by Liang Qichao and humanistic literary outlook of super-utilitarianism by Wang Guowei in the late Qing Dynasty initiated the two kinds of Literary outlook of ＂ for the sake of human life＂ and ＂for the sake of art＂during the period of May 4^th respectively. However, this kind of influence is not simplistic and mechanistic in the way of individual correspondence. These two kinds of Literary outlook during the period of May 4^th lacked the pureness of those in the late Qing Dynasty since they were broad and all-encompassing with full resilience and they both shared the characteristics of mutual usefulness in actual complementary effects disguised in apparent divisions. Therefore, both took on the style of variedness.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第5期125-129,共5页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
启蒙功利文学观
超功利人本文学观
“为人生”的艺术
“为艺术而艺术”
the Literary outlook of enlightening utilitarianism
humanistic Literary outlook of super-utilitarianism
art ＂ for the sake of human life＂
＂art for the sake of art＂
