摘要
《手铐上的蓝花花》通过追叙和顺叙两条线索交互迭进的艺术形式,描写了女主人公阎小样被判为死缓罪犯的缘由和被押往西安省城监狱途中展现出的人性之大德大愿、大善大美;通过多层铺垫手法扩展了悲剧的题材范围和内含底蕴,凸现了人物性格的悲中之美和美中之悲,形成一种独特的悲柔之美的美学风格,丰富了悲剧美学的审美视域,使悲剧在人性美中得以深化与升华。
Using interactive artistic form of flashback and depiction, ＂The Blue Flower On Handcuffs＂ describes the reason of the heroine, Yan Xiaoyang,being sentenced to death with reprieve and the morality and kindness which showed on the way to prison in Xi＇an city. It expands material scope of the tragedy and internal details with multi-foreshadowing ways and reflects sorrow in beauty and beauty in sorrow of human character so that it can form an aesthetic meaning of individual beauty and enriches the aesthetic horizon of tragedy aesthetics for deepening and sublimating tragedy in the human beauty.
出处
《肇庆学院学报》
2008年第4期6-11,共6页
Journal of Zhaoqing University
关键词
追叙和顺叙
多层铺垫
人性美
大善大美
悲柔之美
flashback and depiction
multi-foreshadowing
human beauty
kindness and beauty
beauty in sorrow
sorrow in beauty
beauty in sadness and tenderness
tragedy aesthetics
