摘要
"发现"与"突转"乃源自西方戏剧美学理论范畴的两个重要术语,本文拟以亚里士多德《诗学》的相关理论为参照,以元杂剧为具体考察对象,尝试从比较研究的视角切入,探究元杂剧中的"发现"与"突转"问题。
Recognition and reversal are two important conceptual terms derived from Western drama aesthetics. Taking relative theory in Aristotle＇ s Poetics as a reference, the paper probes into recognition and reversal in zaju of the Yuan dynasty from the perspective of comparative study.
出处
《浙江艺术职业学院学报》
CSSCI
2008年第2期27-32,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
《诗学》
元杂剧
“发现”
“突转”
Poetics
zaju of the Yuan dynasty
recognition
reversal
