摘要
从神韵的角度,由分析《三弦》和《月夜》的表达差异入手,归纳出沈尹默诗歌创作中神韵化这一重要现象,并论证在中国新诗发展中存在着一条早在沈尹默诗歌中就已经出现,一直到于坚、韩东诗歌中都存在,却至今仍未得到学术界重视的发展方向:新诗神韵化。
Through analysis difference of 〈 Moonlit night 〉 and 〈 Samisen 〉, the article conclude that there is verve in poetry of Shen Yinmo from the point of verve, and then it is try to prove that there have been a verve way of develop in the vernacular poetry which was started m appear and existence till to the poetry of YU Jian and Hart Dong.
出处
《安康学院学报》
2008年第4期8-11,共4页
Journal of Ankang University
基金
安康学院院级科研项目(2006AKXY008)
关键词
沈尹默
新诗
神韵
Shen Yinmo
the vernacular poetry
verve
