摘要
水浒故事兴盛于宋元时期,主要以"说话"形式流传,其受众主要是市民阶层。接受美学认为艺术的接受不是被动的消费,而是显示赞同与拒绝的审美活动。因此,其故事能否被市民接受对创作者有直接的影响。在《水浒传》中,尤其是其所宣扬的侠义行为中,我们可以明显感受到市民阶层的思想意识、价值观念。
The stories in the Story by the Water Margin rose in the Song and Yuan dynasty in the form of verbal stories, and their audience were the common people. Accepting aesthetics believes that the acceptance of art is not the passive consumption, but the aesthetic activities of showing agreement and disagreement. Therefore, whether the story is accepted by urban inhabitants has the direct influence on the creator. In the Story by the Water Margin, especially in the chivalrous acts, the ideology and values of the urban inhabitants can be obviously felt.
出处
《湖北第二师范学院学报》
2008年第4期25-26,共2页
Journal of Hubei University of Education
关键词
接受美学
读者接受
《水浒传》
侠义文化
accepting aesthetics
reader＇s acceptance
the story by the water margin
chivalrous culture
