摘要
先秦两汉典籍多以"御"来说理言事,在《淮南子》的说理中,"御"作为一个包括车、马、术、人各方面在内的整体意象而被作者有意识地反复运用,从而使之成为一个具有艺术高度和自觉意义的文学意象。
The classics of Pre- Qin Dynasty and Western and Eastern Han Dynasty usually use ＂rein＂ to explain and record something. In Huainanzi, as a whole image including vehicle, horse, technique and person ＂rein＂ has been used repeatedly and consciously by the author when he explains something, thus makes it to be a literature image with high artistry and aware significance.
出处
《沈阳工程学院学报（社会科学版）》
2008年第3期384-387,共4页
Journal of Shenyang Institute of Engineering:Social Science
