摘要
《阁楼上的疯女人》从禁锢—作者身份焦虑—应对策略这一路径出发,展开了对19世纪英美妇女文学的综合研究,同时高度重视作家的心理状态和潜意识对文本结构、人物、意象等的影响,将文本细读与精神分析、神话原型批评等融于一炉;但其将作品表层与深层结构作二元机械对立,并过分强调作家与文本中角色、文本中主人公与次要人物之间对应关系的独断、机械之处与其他盲点,亦可为中国女性主义文学批评的健康发展提供借镜。
From the perspective of imprisonment-anxiety of authorship-strategies, The Madwoman in the Attic ： The Woman Writer and the Nineteenth-Century Literary Imagination offers a comprehensive study on 19^th century Anglo-American women＇s literature. It highly values the influence of writers＇ psychological situation and subconsciousness on textual structures, characters, images, etc., and combines close-reading of texts with psychological analysis, Myth and Archetypal Criticism. But it also exposes some defects, including the binary opposition of facial and deeper structures of literary works, etc. Its achievements and defects mentioned above would be of important reference to the healthy development of Chinese feminist literary criticism.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2008年第4期112-117,共6页
Journal of Capital Normal University：Social Science Edition
关键词
《阁楼上的疯女人》
“作者身份焦虑”
成就
缺憾
反思
The Madwoman in the Attic： The Woman Writer and the Nineteenth-Century Literary Imagination
anxiety of authorship
achievements
defects
reflection
