摘要
迪斯尼影视《风中奇缘》记录了早期西方殖民者的探险史,剖析两个对立群体的心理特征,本文受后殖民理论和文化研究启发,提出《风中奇缘》不是一部爱情剧,而是具有凝重历史感的文化身份讨论。
The interpretation of Pocahontas in Chinese context-a love story between races without a satisfactory ending mirrors a cultural and historical psyche of Chinese audiences. This essay approaches Pocahontas with a postcolonial glance, particularly over two major concepts accordingly： binary opposites, Euro--centrism
出处
《中国西部科技》
2008年第25期71-73,共3页
Science and Technology of West China
关键词
后殖民
二元对立
欧洲中心论
postcolonial
binary opposites
Euro-centrism
