摘要
希腊女神阿芙洛狄忒(Aphrodite)是西方一个重要的文化符号,她既是崇高的春天之神、爱情之神,同时,她又是充满原欲之神、淫荡之神,该符号的"神格"出现了"文明"与"野性"之间的巨大张力。这一巨大张力常使国人感到百思不解。这个在以"伦理"为轴力的中国"文化范式"看来充满背谬、分裂的神格,当将其置入以"命运"为轴力的西方"文化范式"时,却是一个亲和、谐调、逻辑的统一体。
Aphrodite, the Greek goddess, is an important icon in the Western culture. She not only symbolizes spring and love, but also sex and carnality. Though commouly accepted in the Western culture, Aphrodite is viewed in the Chinese culture as a serf-contradictory goddess, who is full of tension between civilization and barbarism, and who baffles a large number of Chinese. From the different symbolic meanings of Aphrodite within the two cultural contexts, we see that symbolism is culturally related. That is to say, the cultural mode is the best interpretation of its symbols.
出处
《贵州师范大学学报（社会科学版）》
CSSCI
2008年第4期87-90,共4页
Journal of Guizhou Normal University(Social Sciences)
基金
2007年广东省哲学社会科学"十一五"规划基金项目<中西文化范式发生的神话学研究>阶段性成果
批准号:07K03
关键词
阿芙洛狄忒
文化范式
神格
张力
Aphrodite
cultural mode
divine characteristic of Aphrodite
tension
