摘要
《诗》之后,汉魏乐府多为歌谣,乐府之后诗歌逐渐走向了格律化、案头化,至唐宋词随燕乐兴而兴,至南宋又随燕乐衰而衰,此后文人填词已经失去了真正的意义。我国古典诗词衰颓之后,至"五四"新诗又矫枉过正,割断历史,抛弃了汉语汉字所独有的审美特质,于是也只能是昙花一现,所以有人说20世纪是个"无诗的时代"。到20世纪80年代后,当代歌词则紧紧抓住了诗歌的文学性、音乐性、民族性和大众性的审美特质,并善于从古典诗词中采得神韵,从民歌中集得灵气,真正是诗起八百年之衰,但其命运同词诞生时一样备受大众欢迎又倍受学界冷落,因而值此之际,很值得振臂一呼:"真诗在歌中!"
After Poetry,the official conservatories in Han and Wei dynasty were mostly songs, ballads and poems in folk style, then a genre of Chinese classical poetry gradually moved toward the classical Chinese poetry rules and desk. Ci prospered with the prosperity of Yanyue in Tang and Song Dynasty and declined with the decline of it in Southern Song Dynasty. After that, Ci written by literati lost the real meaning. After the Chinese classical poetry became weak and degenerated, new poetry was overeorrected in May 4th movement period. The history was severed ; the unique aesthetic qualities of the Chinese language characters were abandoned. Thus new poetry could only be short-lived. So it is said that the 20th century is an ＂era without poetry＂. By the 1980s, contemporary lyrics tightly grasped the aesthetic qualities of literature, music, ethnics and popularity, and were good at gathering charm from the classical poetry, and collected divine and wonderful spirit from folk songs. Poems really started after declining years. But the fate of poems,like the birth of Ci, was greatly welcomed by popularity and neglected by academic circle, and this occasion is worth raising one＇s arm： ＂True songs come from poetry!＂
出处
《重庆交通大学学报（社会科学版）》
2008年第4期43-47,共5页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
乐府
宋词
今词
流变论
雅俗论
诗乐论
Yuefu
Sun Ci
modern poetry
view of flow and change
view of high browism and low browism
view of poem and music
