摘要
中国古代身体美学范畴虽然散见于众多艺术家的只言片语中,却无损于它们作为艺术理论的丰富性及重要性。在其由原初的自然形态走向哲学形态的过程中,中国传统的物我观念、生命观念及其观物方式起到了重要的催生作用。再者,身体美学范畴所具备的特征也体现了视觉艺术的要求,这是它们走向艺术美学的关键。
The categories of physical aesthetics in ancient China were witnessed in a word or two said by many ancient artists, but this can not debase their richness and importance of serving as artistic theories. During the transformation of the categories of physical aesthetics from their original natural modality to philosophical modality, the traditional Chinese concept of the Sameness of Thing and Self, the cognition of life as well as the traditional approaches of viewing things all served as important catalysts. Moreover, the traits of physical aesthetics also reflected the requirements for visual arts, which is the decisive factor for physical aesthetics to transform into artistic aesthetics.
出处
《南阳师范学院学报》
CAS
2008年第8期56-58,共3页
Journal of Nanyang Normal University
关键词
身体
美学范畴
自然形态
哲学形态
physical body
categories of aesthetics
natural modality
philosophical modality
