摘要
克莱夫·贝尔在《艺术》中结合印象派绘画的艺术创作的实践提出并论证了"艺术是有意味的形式"的论点。文章通过印象派对光、色彩和构图的新理解,具体分析印象派来使这一理论得到较为详细的说明。
Chve Bell primarily proposed and illustrated the formalist hypothesis of art as the＂significant form＂ in the Art, designating the＂significant form＂as the form of feeling ultimate reality. I want to analyze the new views of light, color and picture composition and make them clear and intelligible.
出处
《唐山师范学院学报》
2008年第4期117-118,共2页
Journal of Tangshan Normal University
关键词
色彩
构图
线条
终极实在
colour
picture composition
line
ultimate reality
