摘要
17世纪50年代,在荷兰的代尔伏特,首先出现了模仿中国明代青花瓷的釉陶产品,并大获成功。又经过了一段时间,代尔伏特陶从纯粹模仿中国的外销瓷,逐渐转变为自己创作中国风格的作品。与此同时,在代尔伏特陶的影响下,欧洲各地的窑场纷纷开始生产蓝白两色的中国风格釉陶,中国风设计从此真正开始。通过对代尔伏特陶典型作品的分析,以明确中国风设计在陶瓷领域中的表现特征。并可以从整体上把握17-18世纪整个欧洲中国风设计的脉络。
In Delft, the Netherlands in the 1650＇s, Ming Dynasty blue and white porcelain was successfully imitated. Later, Delft grew out of the imitation production of export porcelain from China and began to develop its own design in Chinese style. At the same time, under the influence of Delftware, blue and white chinoiserie pottery was mass produced in ceramic plants across Europe. Henceforth, Chinoiserie became a trend in ceramic design. This paper examines the classic examples of Delftware to grasp the development of chinoiserie design in Europe in the 17-18th century.
出处
《中国陶瓷工业》
CAS
2008年第3期28-32,共5页
China Ceramic Industry
