摘要
听完德国小提琴大师穆特音乐会之后，一位大爷还是不太明白，他问老伴：“谁是穆特儿？就是那个一直站着的女人吗？”大妈说“那个就是模特儿（有点儿口音）!”“拉的什么我都听不懂。那她为什么不唱个歌儿？”……这个故事绝非杜撰，是笔者身边发生的事情，亲眼所见，亲耳所闻。这就是国家大剧院目前的一个现实，每天都有相当多的观众和这位老大爷大妈一样充满好奇而又困惑，只不过这位大爷的话说得特可爱，特有代表性。
OUTLINE / The ＂First Symphonic Spring of China＂ held at the National Centre for the Performing Arts in Beijing attracted a record crowd of 200,000 ticketbuyers. This phenomenon reflects two realities： （1） The Centre lowered the ticket prices in order to attract the general public, which was a very good gesture; （2） As prices have reduced, groups of ＂theatre tourists＂ now enter the venue. When a theatre becomes a tourist site, you cannot expect much from such audience. But perhaps this is still a good sign： new audiences have now crossed the threshold into the performing arts.
出处
《歌剧》
2008年第7期60-60,共1页
Opera
