摘要
研究百年中国现代诗体格局,能够帮助我们总结历史经验,推动现代诗歌健康发展。百年中国诗体格局的偏颇,就是新旧诗体对立从而导致新诗独尊,而新诗又以自由化的强势使格律定型诗体难以发展,同时对新诗俗体的过分重视妨碍了文人唯美诗体建设,对诗质革新的过分重视和对诗体建设相对忽视则妨碍诗体生成的生态环境。这种诗体格局偏颇形成同新诗发生的社会环境、文化生态和诗学主张有着密切的联系。
A study of the prosody pattern of modern Chinese poetry in the past hundred years may help us summarize the historical experiences and foster the healthy growth of modern poetry. This lopsidedness has the following manifestations: the rivalry between the old prosody and the new prosody has resulted in the overwhelming presence of new poetry; new poetry, by virtue of its prosodic freedom, has curbed the further development of the fixed prosodic pattern of traditional Chinese poetry; an excessive partiality for the popular forms of new poetry has impeded the evolvement of the aesthetic prosody; and an undue regard for an innovation in poetic substance together with the resultant negligence in nurturing the poetic form has adversely affected the ecological environment in which prosody pattern may take shape.
出处
《江海学刊》
CSSCI
北大核心
2008年第4期197-204,共8页
Jianghai Academic Journal
