摘要
"气"范畴在唐代文论中的展开,体现在两大维面:一是诗学理论批评对"气"的论说;二是散文理论批评对"气"的论说。其内容,主要体现在三方面:一是对"气"作为诗文之本的标树,二是对诗文之气审美特征与要求的探讨,三是从创作角度对"气"的考察。上述论说维面与内容,初步展开了我国古典文"气"范畴,为其在后世文论中的充实、深化与完善奠定了基础。
The ＂Qi＂ category in Tang Dynasty was unfolded from two dimensions： the poetic and essayistic theories. Its content was displayed in three aspects： the standard of ＂Qi＂ as the essence of poetic prose; the aesthetic character of ＂Qi＂ in poetic prose; the study of ＂Qi＂ in writing. These dimensions and aspects generally show the ＂Qi＂ category in classical writing, which laid a solid foundation for its enriching, deepening and perfecting in later periods.
基金
2007年度国家社会科学基金项目(07cwz001)
2007年度山东省博士后创新项目"中国古代文学理论批评专题承传研究"
关键词
唐代文论
“气”范畴
展开
本质标树
特征探讨
创作考察
literary rcvicw in Tang Dynasty
the ＂Qi＂ category
unfold
essence
character
writing
