摘要
司法与戏剧都是以台上表演、宣讲台词的形式来表达人性化的情感。司法入口的刑民二分法与司法过程的逻辑三段论一样都不能排除情感因素作用。刑民交叉案件很显然是在严格刑民二分观点透视下的模糊和边缘地带。遵循司法制度的合成理论和司法过程的辩证理论,反映世界潮流,体现司法民主,切合和谐主题,采"超越极端,回归情感"的思路,为积极回应和适时流转当事人诉求,把刑民交叉案件管辖的一些历史沉淀和实践探索的边缘性制度逐步固定下来,从而增加现行制度的弹性和适应力。从本质上说,以情取胜而不是以力服人也是司法和竞技的主要差别。
Judicature and drama express both personal sensibilities by preaching lines. Criminal and civil dichotomy of judicial entrance, just like judicial process syllogism, cannot eliminate the sensibilities. Interlocked penal and civil cases are obviously out of focus under perspective of strict criminal and civil dichotomy. Keeping with compound theory of judicial system and dialectic theory of judicial process, reflecting world tideway, embodying judicial democracy, corresponding to harmony theme, we take the road of overcoming extremeness and regression sensibility. In order to actively response to and timely hand over party~ appeal, some brim system by history deposition and practice exploration about jurisdiction on interlocked penal and civil cases should be developed to increase the flexibility and adaptation of actual system. In essence, judicature winning success by affection is different from sporting getting victory by power.
出处
《法律科学（西北政法大学学报）》
CSSCI
北大核心
2008年第4期102-111,共10页
Science of Law：Journal of Northwest University of Political Science and Law
基金
2007年教育部人文社科研究课题<民刑交叉案件的处理机制研究>的阶段成果课题编号:07JA820005
关键词
技术
情感
刑民交叉
管辖
technique
sensibility
interlocked penal and civil cases
jurisdiction
